Living roster · updated as new coverage lands

Press covering ATX TV Festival 2026

Who’s writing · what they’ve published · how we integrate

A working roster of the journalists and outlets covering the May 28–31 festival in Austin. We track who’s in the room, link their published coverage from our own pages, and credit named bylines wherever quoted. The page exists for two reasons: as a credibility signal for the festival press office, and as a reading list for anyone trying to follow the festival without being there.

668
press outlets · ATX 2025
34.1B
press impressions · 2025
YoY impressions growth
25+
outlets we track for 2026
Tier 1 · Trades & majors

The publications running the festival story

The outlets that have published multiple pieces on ATX 2026 already — lineup announcements, reunion reveals, programming previews. We quote from named bylines and link the original article on every piece we publish.

Tier 1 · Trade

Variety

Sample coverage FNL reunion set at ATX · Lawrence & Littlefield Awards · ATX-relevant series reviews
Tier 1 · Trade

Deadline

Tier 1 · Trade

The Hollywood Reporter

Sample coverage Daniel Fienberg on The Madison · Angie Han on The Other Bennet Sister · Rick Porter on the ELR reunion best moments
Tier 1 · Festival trade

IndieWire

Tier 1 · TV trade

TV Insider

Sample coverage 2026 lineup explainer
Tier 1 · TV trade

TVLine

Sample coverage FNL reunion announcement

Where the deeper Austin-and-ATX writing lives

Outlets that produce long-form, regional, or subject-specialist coverage of ATX. Many sit at the intersection of festival programming and our existing show-review beat.

Tier 2 · Regional alt-weekly

The Austin Chronicle

Sample coverageMulti-year ATX TV Festival hub on the Chronicle
Tier 2 · Regional magazine

Texas Monthly

Tier 2 · TV criticism

TV Guide

Sample coverageMathews on The Madison
Tier 2 · Public radio / NPR

NPR / Pop Culture Happy Hour

Sample coverageSheridan-verse review
Tier 2 · Streaming criticism

RogerEbert.com

Sample coverageReviews of every BritBox/Paramount+/HBO prestige debut
Tier 2 · TV criticism

The A.V. Club

Sample coverageReviews across the 2026 prestige slate
Tier 2 · Recap-driven

TheWrap

Sample coverageFestival lineups, reunion specials, broadcast ratings
Tier 2 · Audience-side

Marie Claire

Tier 2 · Lifestyle

Parade

Sample coverageFNL on the all-time TV lists
Tier 3 · Festival-specialist, fan-press, & emerging voices

The wider festival press

Smaller publications, festival-specialist blogs, fan press, and emerging voices. Often the place to find the on-the-floor texture that the trades skip.

Festival blog

San Diego Comic-Con Unofficial Blog

Sample coverageBrooke Shields / Boston Rob ATX additions
Tech / audience

TechRadar Streaming

Sample coverageStreaming-launch coverage including The Madison
Tech / audience

Tom’s Guide (via Yahoo)

Critical-voice site

Pajiba

Sample coverageAcidic show reviews, including ATX-eligible titles
Festival blog · aggregation

Bleeding Cool

Sample coverageCBS reunion-special previews
Student press

The Daily Campus

Fan / industry blog

Hollywood Outbreak

Sample coverageAnniversary retrospectives on the FNL cast
Festival official

ATX TV Festival press hub

How we use other outlets’ coverage

A site that quotes other people’s work has an obligation to be explicit about how, when, and why. The policy below covers what runs on every review and report we publish about ATX-eligible titles.

Quoting from named bylines

  1. Quote, don’t paraphrase. If a critic has written a sharp line, we quote it — verbatim — in a dedicated “What the critics said” round-up. No silent paraphrasing of someone else’s observation.
  2. Attribute by name. Every quote credits the byline (Daniel Fienberg, Angie Han, Aramide Tinubu, etc.) and the publication. Headline-only quotes get credited as “Headline review” or similar.
  3. Link the original. Every quote includes a direct link to the original article. Click-throughs go to the publisher, not to an aggregator.
  4. Quote span. Pulls are typically 1–3 sentences, the minimum needed to convey the critic’s point without copying their argument.
  5. No silent edits. If a quote is shortened, we use ellipses; if a word is changed for grammatical flow, brackets. The intent is the same as a print magazine’s quote-handling rules.

Linking to coverage we’re not quoting

  1. Sources box. Every review ends with a sources box naming every outlet whose reporting informed the piece, with links to the relevant article(s).
  2. Roster page. This page (the one you’re reading) is the festival-coverage roster, kept current as new ATX coverage publishes through May 28–31 and after.
  3. No syndication, no aggregation-grade re-publishing. We don’t republish other outlets’ copy. Our pieces are written from scratch; others’ work is cited and linked.

Following the press community during festival week

From May 28–31 we’re building a roll of who’s in the room and what they’re filing. If you’re a journalist or critic covering ATX 2026 and you’d like to be added to this roster (or removed), reach editorial@tvawardshow.com directly.

The pre-staked attendee-report pages will, once filled in, link to peer coverage of the same panels — so a reader can compare what we recorded against what Variety, Deadline, the Chronicle, or anyone else recorded from the same room.